Nude Reagan

Photography

Nada (Short Film)

Nada

by John Brian King


John Brian King is the photographer of LAX: Photographs of Los Angeles 1980–84 and Nude Reagan, both available from Spurl Editions. He is the writer and director of the art house film Redlands (2014) and the short film Model Test (2016). Visit his website here, and check out his latest photography series Sick City.

We will be selling John Brian King’s two photo books at Lit Crawl SF on October 20. Come see us!

Literature

Why I Want to Fuck Ronald Reagan (Text)

Why I Want to Fuck Ronald Reagan

By J. G. Ballard

ballard-ronald-reagan-01

At the 1980 Republican Convention in San Francisco a copy of my Reagan text, minus its title and the running side heads, and furnished with the seal of the Republican Party, was distributed to delegates. I’m told it was accepted for what it resembled, a psychological position paper on the candidate’s subliminal appeal, commissioned from some maverick think-tank.
— J. G. Ballard

During these assassination fantasies

Ronald Reagan and the conceptual auto-disaster. Numerous studies have been conducted upon patients in terminal paresis (G.P.I.), placing Reagan in a series of simulated auto-crashes, e.g. multiple pile-ups, head-on collisions, motorcade attacks (fantasies of Presidential assassinations remained a continuing preoccupation, subjects showing a marked polymorphic fixation on windshields and rear trunk assemblies). Powerful erotic fantasies of an anal-sadistic character surrounded the image of the Presidential contender. Subjects were required to construct the optimum auto-disaster victim by placing a replica of Reagan’s head on the unretouched photographs of crash fatalities. In 82 percent of cases massive rear-end collisions were selected with a preference for expressed faecal matter and rectal haemorrhages. Further tests were conducted to define the optimum model-year. These indicate that a three-year model lapse with child victims provide the maximum audience excitation (confirmed by manufacturers’ studies of the optimum auto-disaster). It is hoped to construct a rectal modulus of Reagan and the auto-disaster of maximized audience arousal.

Tallis became increasingly obsessed

Motion picture studies of Ronald Reagan reveal characteristic patterns of facial tonus and musculature associated with homo-erotic behavior. The continuing tension of buccal sphincters and the recessive tongue role tally with earlier studies of facial rigidity (cf., Adolf Hitler, Nixon). Slow-motion cine-films of campaign speeches exercised a marked erotic effect upon an audience of spastic children. Even with mature adults the verbal material was found to have a minimal effect, as demonstrated by substitution of an edited tape giving diametrically opposed opinions. Parallel films of rectal images revealed a sharp upsurge in anti-Semitic and concentration camp fantasies.

with the pudenda of the Presidential contender

Incidence of orgasm in fantasies of sexual intercourse with Ronald Reagan. Patients were provided with assembly kit photographs of sexual partners during intercourse. In each case Reagan’s face was super imposed upon the original partner. Vaginal intercourse with “Reagan” proved uniformly disappointing, producing orgasm in 2 percent of subjects. Axillary, buccal, navel, aural and orbital modes produced proximal erections. The preferred mode of entry overwhelmingly proved to be the rectal. After a preliminary course in anatomy it was found that the caecum and transverse colon also provided excellent sites for excitation. In an extreme 12 percent of cases, the simulated anus of post-colostomy surgery generated spontaneous orgasm in 98 percent of penetrations. Multiple-track cine-films were constructed of “Reagan” in intercourse during (a) campaign speeches, (b) rear-end auto-collisions with one- and three-year model changes, (c) with rear exhaust assemblies, (d) with Vietnamese child-atrocity victims.

mediated to him by a thousand television screens.

Sexual fantasies in connection with Ronald Reagan. The genitalia of the Presidential contender exercised a continuing fascination. A series of imaginary genitalia were constructed using (a) the mouth-parts of Jacqueline Kennedy, (b) a Cadillac rear-exhaust vent, (c) the assembly kit prepuce of President Johnson, (d) a child-victim of sexual assault. In 89 percent of cases, the constructed genitalia generated a high incidence of self-induced orgasm. Tests indicate the masturbatory nature of the Presidential contender’s posture. Dolls consisting of plastic models of Reagan’s alternate genitalia were found to have a disturbing effect on deprived children.

The motion picture studies of Ronald Reagan

Reagan’s hairstyle. Studies were conducted on the marked fascination exercised by the Presidential contender’s hairstyle. 65 percent of male subjects made positive connections between the hairstyle and their own pubic hair. A series of optimum hairstyles were constructed.

created a scenario of the conceptual orgasm,

The conceptual role of Reagan. Fragments of Reagan’s cinetized postures were used in the construction of model psychodramas in which the Reagan-figure played the role of husband, doctor, insurance salesman, marriage counselor, etc. The failure of these roles to express any meaning reveals the nonfunctional character of Reagan. Reagan’s success therefore indicates society’s periodic need to re-conceptualize its political leaders. Reagan thus appears as a series of posture concepts, basic equations which re-formulate the roles of aggression and anality.

a unique ontology of violence and disaster.

Reagan’s personality. The profound anality of the Presidential contender may be expected to dominate the United States in the coming years. By contrast the late J. F. Kennedy remained the prototype of the oral subject, usually conceived in pre-pubertal terms. In further studies sadistic psychopaths were given the task of devising sex fantasies involving Reagan. Results confirm the probability of Presidential figures being perceived primarily in genital terms; the face of L. B. Johnson is clearly genital in significant appearance–the nasal prepuce, scrotal jaw, etc. Faces were seen as either circumcised (JFK, Khrushchev) or uncircumcised (LBJ, Adenauer). In assembly kit tests Reagan’s face was uniformly perceived as a penile erection. Patients were encouraged to devise the optimum sex-death of Ronald Reagan.

ballard-ronald-reagan-02

 

An image from NUDE REAGAN, a photography book by John Brian King.

 

Photography

Desert Mass (Short Film)

Desert Mass

by John Brian King

Desert Mass is a new short film by John Brian King, art photographer and director of the feature film Redlands. In Redlands, King eschewed typical film editing techniques, featuring instead eight-minute scenes without any camera movement or cutting. Reviewer Angeliki Coconi commented on Redlands: “[It] sits still while everything happens. It doesn’t follow its characters — it watches them. It doesn’t admire or criticize them; it simply looks at them.”

Filmed in Palm Springs, California, King’s latest work Desert Mass focuses on the strange, the disorienting, and the decaying. Its austere style, reminiscent of Redlands, often takes on a dream-like quality, and the accompanying hypnotic organ music underscores the film’s theme of a Satanic mass in an arid, artificial land. Interspersed between alienating landscapes, filmed with the detachment of a wandering traveler, are scenes of two women, each alone in an anonymous hotel room — their distress, which is never explained, surreally related to the unease of the city. It is a brilliant, unconventional work, which you can watch in full above!


John Brian King is the photographer of LAX: Photographs of Los Angeles 1980–84 and Nude Reagan, both available from Spurl Editions. He is the writer and director of the art house film Redlands (2014) and the short film Model Test (2016). Visit his website here, and check out his latest photography series Sick City.

We will be selling John Brian King’s two photo books at the Philadelphia Art Book Fair on May 5 and 6. Come see us!

Publishing, Photography, Literature

Portraits of Spurl

Portraits of Spurl

Andy Adams  @FlakPhoto

Andy Adams @FlakPhoto

Kim Cooper  @kimcooper  / Larry Edmunds Bookshop  @LarryEdmunds1

Kim Cooper @kimcooper / Larry Edmunds Bookshop @LarryEdmunds1

Edward Carey  @EdwardCarey70  / bought at  @MalvernBooksTX

Edward Carey @EdwardCarey70 / bought at @MalvernBooksTX

Naomi Fry  @frynaomifry

Naomi Fry @frynaomifry

Stephen Sparks  @rs_sparks  / Point Reyes Books  @PointReyesBooks

Stephen Sparks @rs_sparks / Point Reyes Books @PointReyesBooks

Alex Maslansky / Stories Books  @StoriesEchoPark

Alex Maslansky / Stories Books @StoriesEchoPark

Kliph Nesteroff  @ClassicShowbiz

Kliph Nesteroff @ClassicShowbiz

Grafiche Morandi

Grafiche Morandi

Clare Kelly  @NewAgeSext

Clare Kelly @NewAgeSext

Denise Enck / Empty Mirror  @EmptyMirror

Denise Enck / Empty Mirror @EmptyMirror

John Coulthart  @johncoulthart

John Coulthart @johncoulthart

Kathleen Graulty and Julian Lucas / Mirrored Society  @MirroredSociety

Kathleen Graulty and Julian Lucas / Mirrored Society @MirroredSociety

Small Press Distribution  @spdbooks  / New Museum  @newmuseum

Small Press Distribution @spdbooks / New Museum @newmuseum

John Coulthart  @johncoulthart

John Coulthart @johncoulthart

J. M. Schriber  @roughghosts

J. M. Schriber @roughghosts

Ed Turner / Biblioklept  @biblioklept

Ed Turner / Biblioklept @biblioklept

Thank you to all of the wonderful, sensational artists who have taken part in PORTRAITS OF SPURL, and who are are not ashamed to read and sell our misfit books!

Photography

Punk Daze (photography)

Punk Daze

by John Brian King

In the early 1980s, John Brian King was photographing the stranded travelers and unfrequented places that would later appear in his unique, wonderful book LAX: Photographs of Los Angles 1980–84. At the same time, he was going to punk shows, desecrating L.A. industrial lofts, meeting John Lydon (!), and hanging out with some spectacularly dressed friends. He brought his camera along to capture the odder moments of his youth. His color photographs are vibrant and unaffected; his black-and-white shots are stark and impulsive, reminiscent of his work at the airport. “Punk Daze” is a casual, personal look into the photographer’s life, revealing, little by little, the anarchic ideas behind his artistic accomplishments.


John Brian King is a Los Angeles native who graduated with a degree in photography from the California Institute of the Arts. His photography books LAX: Photographs of Los Angeles 1980–84 and Nude Reagan are now available from Spurl Editions. He designed the film titles for over thirty films, including Boogie Nights, Punch-Drunk Love and The Ring. Additionally, he wrote and directed the feature film Redlands, an examination of creativity and horror in relation to photography. Visit his website here, and follow him on Instagram.

Photography, Publishing

Podcast: John Brian King in New Books Network

The photographer Lorena Turner spoke with John Brian King about his recent and not-so-recent artistic work in a podcast for New Books Network. They discuss everything from Nude Reagan and LAX: Photographs of Los Angeles 1980–84 to King’s cryptically titled series “Hospital.” Seriously, King’s scathing description of Ronald Reagan is not to be missed, plus King brings up one of his sources of inspiration for Nude Reagan that anyone who is reading this page is sure to love: J. G. Ballard’s short story “Why I Want to Fuck Ronald Reagan.”

INCIDENCE OF ORGASMS IN FANTASIES OF SEXUAL INTERCOURSE WITH RONALD REAGAN. Patients were provided with assembly kit photographs of sexual partners during intercourse. In each case Reagan’s face was super imposed upon the original partner. Vaginal intercourse with “Reagan” proved uniformly disappointing, producing orgasm in 2% of subjects.

Photography, Publishing

An Ugly Seduction: “Nude Reagan” Reviewed in Flavorwire

The day has finally arrived: John Brian King’s Nude Reagan is available! Or, to christen this monumental new public holiday properly: Nude Reagan Day is here! You can find John Brian King’s deviant oddity on our website and on Amazon (not in bookstores).

Flavorwire’s Moze Halperin got a sneak peek at the book, and he had some lovely things to say:

Reagan as a symbol whose repercussions still feel forced upon American citizens makes for rather disquieting photography, particularly when they seek to highlight, as the press release describes, Reagan’s “own frozen, Brylcreem-lathered satanic countenance” against “mold green…muddy gray… brilliant white…[and] dense, all-encompassing black” and resting imposingly atop displays of bare female triumph, self-presentation, and sexuality, complicating the country’s fervent obsession with and the Right’s frequent rapturous praise of the former President. Here, he’s both a grotesque imposition and an ugly seduction.

So enjoy June 1 – Nude Reagan Day! And don’t forget to take 10% off orders over $50 and over with the promo code: spurl.